What’s the deal with Andy Hayes?? (3 questions from Lori Rader-Day…)

I got to meet Lori Rader-Day at Magna Cum Murder mystery writers conference last fall, which was exciting enough. Even more thrilling, I’ll be appearing with her on April 19 at Joseph-Beth Booksellers in Cincinnati as she promotes her wonderful new book, The Day I Died. Please mark your calendars for what should be a great event. (To quote Lori, “We are going to have some fun, promise.”) In the meantime, here’s a Q&A I did with her (reproduced below) about private eye Andy Hayes and The Hunt, which arrives in stores and e-book readers this month from Ohio University Press. And as long as you’re taking Sharpie to calendar, remember that the Ohioana Book Festival is this Saturday, April 8, in downtown Columbus. In addition, I’ll be talking mystery writing and signing books at Main Street Books in Mansfield on April 14…

My interview with Lori:

Andrew’s new book is The Hunt, featuring private investigator Andy Hayes. It’s out April 15, just in time for that refund from Uncle Sam. Here’s what Booklist had to say about The Hunt: “The author has crafted a fine procedural based on human trafficking, and it’s a pleasure to watch his PI, Columbus, Ohio–based Andy Hayes, go to work. …Welsh-Huggins has a way with language…[He] is an Associated Press reporter, and the urge to bring the news is an unkillable one.”

Not too shabby, Andrew.

Tell us a bit about The Hunt and how Andy has grown or changed over the series so far.

The Hunt opens with a man hiring Andy to find his sister, a prostitute who’s missing just as a serial killer is stalking human trafficking victims on the streets of Columbus, Ohio. Andy soon realizes he’s not the only one looking for the woman, and the search becomes a race against time as he tries to unravel why so many people have taken an interest in finding her, not to mention doing her harm.

Andy has changed as I’ve gotten to know more about him and added to his back story. I’ve previously established that he’s an ex-Ohio State quarterback with a lot of baggage, which happens when you blow your team’s shot at a national championship by going to jail the week before the Michigan game. Now we’re seeing more of his relationship with his parents and his two sons by two different ex-wives, as well as his ongoing efforts to have positive romantic encounters given a history of not treating women very well.

What do you and Columbus private investigator Andy Hayes have in common?

Hopefully not our approach to relationships! Andy has had a string of women in his life, whereas I’ve been married to my college sweetheart for almost 33 years. That said, he is my alter ego in many ways. We’re both skeptical (but not cynical), we both want answers to the questions we’re posing, we both have a snarky sense of humor, we both like to read nonfiction and work out, and we both have an aversion to guns. I would never recommend naming a series character after yourself, but in this case, probably because we do think alike at times, he just had to be an Andy. Fittingly, I suppose, that’s a nickname I never go by, just as he never goes by Andrew—unless his mom is really mad at him.

How did you come to crime fiction and who are your influences today?

 The short answer is three series of books I read as a child: Encyclopedia Brown by Donald Sobol, the Happy Hollister mysteries by Andrew Svenson (published by the Stratemeyer Syndicate, which also published the Nancy Drew and Hardy Boy series), and my mom’s Erle Stanley Gardner Perry Mason books, which I snuck off the top shelf beginning when I was about eight. Those books inspired a lifelong love of mysteries that continued through high school, college, and beyond. These days, I try never to miss new books from Michael Connelly, Ian Rankin and Laura Lippman as well as J.K. Rowling in her new guise as private eye novelist, to mention a very few. Going back in time, I was heavily influenced by Rex Stout (the Nero Wolfe mysteries), Robert B. Parker and Spenser, several of Stuart Kaminsky’s series and Ohio’s own Les Roberts, with his Milan Jacovich books set in Cleveland. If I had to describe where Andy Hayes comes from, I’d say he’s a combination of Nero Wolfe’s sidekick, Archie Goodwin (who, at least fictionally, was from Ohio), and Spenser, with a dollop of John D. MacDonald’s Travis McGee thrown in for good measure. Ultimately, though, I have to credit my mom, Mary Anne, and my late father, Richard, for raising me in a house full of books where reading was encouraged, and for always championing my dream of being a writer.

Top Ten Tips On How NOT To Become a Mystery Writer…

 Becoming a mystery writer? I’m still working out the kinks. NOT becoming a mystery writer? Boy, do I have some experience there, which I lay out in this blog in The Strand Magazine, and reproduced below.

Top Ten Tips On How NOT To Become a Mystery Writer…

Are you a mystery lover with a yen to write your own novel but unsure how or where to start? Do you have a great character or winning plot in mind but just can’t get past an opening chapter or two? Rest easy: banishing such dreams is easier than you think. Over the years, I’ve developed several tried-and-true tips to keep from ever putting pen to paper or fingertips to keys. Follow these suggestions and I guarantee that your book, no matter how surefire the idea, will never see the light of day. Without further ado, I present my Top Ten Tips On How NOT To Become a Mystery Writer.

No. 10: Do NOT read and read and read for enjoyment and edification but also to study the techniques of other writers. Do NOT delve into not only mysteries but a myriad of other arenas such as science fiction, westerns, fantasy, literary fiction, romance, young adult, poetry and—don’t even get me started—the universe of nonfiction. Much better just to see what’s on Netflix tonight.

No. 9: Do NOT haunt your local library, weekly if not daily, to check out reams and reams of

books on all the above topics and more, books with which to fill your bookshelves, coffee tables, nightstands, kitchen counters, piano benches, living room chairs, and tops of the toilet tank (not to mention your e-reader, CD player, and phone). Spend your time noodling around on the Internet instead.

No. 8: Similarly, Do NOT frequent bookstores, especially independently owned shops, and whatever you do, NEVER pledge not to leave such an institution without having purchased a book. Doing so will only serve to remind you of the value of the written word while allowing these stores to insinuate themselves into the fabric of a community as mainstays of writerly fellowship and intellection conversation, not to mention fun places to get coffee and talk favorite authors.

No. 7: Do NOT make a practice of reading books about writing, and especially books about the craft of detective and mystery fiction, since there’s no better way to learn the traditions of the genre, develop your own style, and absorb tips for writing efficiently and creatively. Good examples of books you should NEVER read include Stephen King’s On Writing: A Memoir; Writing Mysteries by the Mystery Writers’ Association of America; Lawrence Block’s Writing the Novel from Plot To Print to Pixel; P.D. James’s Talking About Detective Fiction; and Books To Die For, edited by John Connolly and Declan Burke.

No. 6: Do NOT attend readings by authors, writing workshops or crime fiction conferences where you can hear from professionals in person, not to mention have the chance to ask them questions at breakfast, in the elevator, or hanging around the bar—and often all three—and then suffer through their responding with compassion, good humor, and heartfelt hopes for your success. Never, EVER attend events such as Magna Cum Murder in Indianapolis; Killer Nashville in, well, take a guess; and any event hosted by a Sisters in Crime chapter.

No. 5: Do NOT read mystery blogs and subscribe to mystery magazines (especially, for goodness’ sake, The Strand Magazine); do NOT follow writers you admire on Twitter; and do NOT join listservs, Facebook groups, and other online communities dedicated to mystery writing. Doing so will only make you feel part of a greater conversation, give you multiple sources of support, and lead to a sense of shared solidarity when the going gets tough. Please—just say no.

No. 4: Do NOT, when you finally start writing, dedicate a goodly and consistent amount of time every day to your efforts, whether it be early in the morning, late at night, in the middle of the night, on your lunch hour, or riding the bus, Uber, or train. Instead, take a casual and erratic approach to “jotting down some ideas” from time to time. This is a proven method to avoid making headway; I recommend it highly, and from experience.

No. 3: Do NOT hesitate to tell your partner, spouse, friends, parents, workmates, second cousins, and persons you meet at cocktail parties about your work in progress. Since nothing drains the life out of an unfinished piece of fiction faster than talking about it at length, this is the perfect way to ensure you never complete your first piece of crime writing. (Did I mention also talking to the mail carrier and your favorite bartender?)

No. 2: Do NOT make writing a priority in your life after family, work, and friends. Whenever possible, add commitments to keep you from composing, including but not limited to: sending a record number of Christmas cards; hosting this year’s family reunion; volunteering to keep the neighbors’ elderly dog while they’re in Europe; eradicating every gosh-darn dandelion from your yard; and coaching in the underprivileged kids’ polo league. The more, the merrier!

And finally, my No. 1 tip for on how NOT to write a mystery noTop Ten Tips On How NOT To Become a Mystery Writer...vel: Do NOT devote not just months but years to honing your craft, developing a style and working and reworking manuscripts. Growing a thick skin and adopting the mindset that you’re involved in a life-long creative endeavor is one of the best ways I know to achieve success. Avoid this at all costs. The alternative, after all, could well be publication.

Andrew Welsh-Huggins has been trying not to be a mystery writer since he accidentally pulled one of his mother’s Erle Stanley Gardner paperbacks off the top shelf at age eight. Despite his most sincere efforts, The Hunt, his fourth novel about an ex-Ohio State quarterback turned private eye, will be published April 15.

Thank God It’s Monday! #mysteries #writing #crimefiction @MagnacumMurder

Thank God It’s Monday! Getting us off on the right foot, here’s a quote from Maureen Jennings, author of the Murdoch Mystery Series, on writing historical fiction:

“I absolutely love history, love knowing how people lived and thought. I get to do a lot of research reading when preparing for a new book and that is most rewarding. I find contemporary society scary. I think it’s vital to know and understand what previous generations have had to deal with and how they’ve done it. Sometimes it’s depressing to see what hasn’t changed, but can be encouraging to realize that we have made progress.” (From the spring edition of Pomp and Circumstantial Evidence, the official newsletter of Magna Cum Murder mystery writers conference. Jennings is this year’s Guest of Honor.)

The plotting thickens… #fridayinterview #crimefiction #mysteries

“I am a devout outliner. I spend eight months planning a novel. The outlines are generally 150 pages long.” So explains Jeffery Deaver, master of thriller writing, in a Q&A with Crime Fiction Lover, which is also this week’s #fridayinterview. (For those of you overwhelmed by the thought of all that preparation, take heart: I saw Deaver interviewed on a Magna Cum Murder panel along with British thriller writer Robert Wilson, who listened intently to Deaver’s explanation of his work habits, and then replied: “Not only do I not outline, when I sit down each day to write, I have no idea what’s going to happen.”

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